Artist of the Month: Thomas Schaller

Kim Rodeffer Funk's picture

Thomas Schaller’s watercolor technique is highly influenced by his architectural background. You can see this in not only the many classical architectural elements he paints, but also by the technical control he has over the medium itself.

Using a fairly limited pallette, he is able to bring out a unique atmosphere in his work. You can see he seems to have an interest in the soft, almost water-filled air which surrounds the architectural elements he paints.

 

Manhattan Beach Pier, California. Artist Thomas Schaller

Manhattan Beach Pier, California

 

I am sure if you love the technical skills of the traditional watercolorist, you are going to fall in love with Thomas Shaller’s work. He brings to us an invitation to travel with him to Europe and North America to experience familiar and not so familiar places through his eyes. We know you will enjoy his paintings.

Thomas Schaller

 

 

How long have you been an artist?

I like to think I have always been an artist. I did not choose to be an artist – It chose me. But I have been a full time professional fine artist for 5 years and a commercial architectural artist for 25 years prior to that.

 

Daphne and Apollo - Rome. Artist Thomas Schaller

Daphne and Apollo - Rome

 

Path to the Parthenon - Athens. Artist Thomas Schaller

Path to the Parthenon - Athens

 

Is your art your full-time career? 

Yes.

 

Anderson Street in Black and Blue – Los Angeles. Artist Thomas Schaller

Anderson Street in Black and Blue – Los Angeles

 

Banks of the Tiber - Rome. Artist Thomas Schaller

Banks of the Tiber - Rome

 

Where do you work? How long have you been there?

I have an artist’s loft in Venice, California. I live upstairs and have my art studio and own gallery on the ground floor. But I conduct workshops all over the world… So I work everywhere!

 

Royal Crescent – Bath. Artist Thomas Schaller

Royal Crescent – Bath

 

Old Boat - Wisconsin. Artist Thomas Schaller

Old Boat - Wisconsin

 

Do you have favorite places you like to create?

Not sure how to answer this. As a visual person, I feel I’m always painting – even when not at the easel. I see potential paintings everywhere – even in my dream.

 

Cathedral of Girona - Spain. Artist Thomas Schaller

Cathedral of Girona - Spain

 

Brooklyn in Blue. Artist Thomas Schaller

Brooklyn in Blue

 

Chambers Street – NYC. Artist Thomas Schaller

Chambers Street – NYC

 

What does a typical day look like? Is there a typical day? 

When home - I paint every day if at all possible.  I start in the morning and paint as long as I’m inspired to do so – sometimes quite late into the night. I do take some time for my family, friends, and of course my dog (who is always with me), yoga, and my bike. But I’m happiest when painting.

 

Chesneys Bridge – Northern Ireland. Artist Thomas Schaller

Chesneys Bridge – Northern Ireland

 

Winter Bridge – Ohio. Artist Thomas Schaller

Winter Bridge – Ohio

 

Cleft Ridge Span – Brooklyn. Artist Thomas Schaller

Cleft Ridge Span – Brooklyn

 

What materials do you prefer? Are there particular brands you like? 

I use Holbein and Daniel Smith watercolors primarily. Saunders Waterford , Fabriano, and hand-made Twin Rocker watercolor papers are my favorite surfaces. And I could not imagine painting without Escoda brushes.

 

Dreams of Winter - Ohio . Artist Thomas Schaller

Dreams of Winter - Ohio

 

The Falconer – Central Park, NYC. Artist Thomas Schaller

The Falconer – Central Park, NYC

 

Fishing in the Tiber – Rome. Artist Thomas Schaller

Fishing in the Tiber – Rome

 

Where/How are you inspired?

No answer to this. But I suppose that light – is the single thing that most informs the root of my inspiration. But inspiration can come from a million different ways – and with a million different faces. The key is to be open to any possibility. As the Leonard Cohen song says, “There is a crack in everything – That’s how the light gets in.”

 

Fog on the Tiber - Rome. Artist Thomas Schaller

Fog on the Tiber - Rome

 

Grand Central light  – NYC. Artist Thomas Schaller

Grand Central light – NYC

 

How do you know when your piece is done?

Usually about 10 minutes before I stop. My advice? When you hear that voice in your head saying, “Maybe I should do just this one more thing…” don’t do it!

 

Granville Island Bridge – Vancouver. Artist Thomas Schaller

Granville Island Bridge – Vancouver

 

Irish sketch. Artist Thomas Schaller

Irish sketch

 

Kiyomizu in Snow – Kyoto, Japan. Artist Thomas Schaller

Kiyomizu in Snow – Kyoto, Japan

 

Do you work on one or more pieces at a time?

Very rarely. I like to work my paintings up and finish them all in one go.

 

Manhattan Nocturne - NYC. Artist Thomas Schaller

Manhattan Nocturne - NYC

 

Moonlight in the Campo – Rome. Artist Thomas Schaller

Moonlight in the Campo – Rome

 

If you were not a painter/sculptor/photographer, etc., what would you do?

I’d find some other way to be a painter.

 

Painters on the Capilano – Vancouver. Artist Thomas Schaller

Painters on the Capilano – Vancouver

 

Our Stars. Artist Thomas Schaller

Our Stars

 

How can our readers find and purchase your art?

Best to contact me directly through my website (http://thomasschaller.com) or reach out to me via Facebook, Twitter, Google+, or Instagram

 

Towers of Rocamadour - France. Artist Thomas Schaller

Towers of Rocamadour - France

 

 

 

Kim Rodeffer Funk is the Art Editor for Wandering Educators. She notes, "I am an abstract painter and have enjoyed living a creative life for many years. In 2012, I co-founded Atelier 325 with Andrea Hupke de Palacio, and today show my art in Europe and the United States."

You can find her at http://www.kimrodefferfunk.net/

 

 

All photos courtesy and copyright Thomas Schaller

 

 

 

Comments (1)

  • Nancy Parks (not verified)

    8 years 11 months ago

    I've been a huge fan of Tom's for a while now and cannot get enough of his works. Such an easy going person it seems with a particular fondness of bridges, shows in his architectural based paintings. He does wonderful things with a very limited palette. 

    One day I hope to meet him in person, but until then will follow him through great articles like this.

    Thank you,

    Nancy

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